Wednesday, September 30, 2009
BASELINE GROUP at BMoCA
Thursday, September 17, 2009
Words on Collaboration
"Artists are increasingly judged by their working process — the degree to which they supply good or bad models of collaboration," she writes. "Accusations of mastery and egocentrism are leveled at artists who work with participants to realize a project instead of allowing it to emerge through consensual collaboration."
“There can be no failed, unsuccessful, unresolved, or boring works of collaborative art because all are equally essential to the task of strengthening the social bond," she continues. "While I am broadly sympathetic to that ambition, I would argue that it is also crucial to discuss, analyze, and compare such work critically as art.”
Thursday, September 10, 2009
The BASELINE GROUP welcomes Marjetica Potrč Sept. 17 - 27, 2009!
Monday, August 24, 2009
SUGGESTED READING
Community and Site-Based Practice: Recommended Reading
New Land Marks by Penny Balkin
Dialogues in Public Art by Tom Finkelpearl
Overlook: Exploring the Internal Fringes of America With the Center for Land Use Interpretation by Ralph Rugoff, Matthew Coolidge
The Lure of the Local: Senses of Place in a Multicentered Society by Lucy R. Lippard
CRITICAL ISSUES IN PUBLIC ART by SENIE HF
Plop: Recent Projects of the Public Art Fund by Jeffrey Kastner
Public Art Since 1950 (Shire Album S.) by Lynn F. Pearson
Mapping the Terrain: New Genre Public Art by Suzanne Lacy
The Ideal City: 2nd Valencia Biennial by Luigi Settembrini
Monuments for the USA by Ralph Rugoff
Dan Graham (Contemporary Artists) by Birgit Pelzer
W.J.T. Mitchell Art and the Public Sphere MIT Press 1993.
Black Dog Locus Solus, Site, Identity and Technology in Contemporary Art, Black Dog Publishing Ltd 1999.
Suzi Gablik Conversations before the end of Time, Thames & Hudson 1995.
Object to Be Destroyed: The Work of Gordon Matta-Clark by Pamela Lee
The Order of Things, An Archaeology of the Human Science by M.Foucault
An Introductory Guide to Post-Structuralism and Postmodernism by Madan Sarup
Space, Site, Intervention by E. Suderburg
From Studio to Situation by C. Doherty
The subversive Imagination by C. Becker
One place after another by M. Kwon
But is it art? by N. Felshin
The Citizen Artist by L. Burnham
Monday, August 3, 2009
summer summer summer time
Monday, May 11, 2009
Summer at BASELINE
"The project has taught me that the collective is more important than the individual, and without consideration for other group members no collaboration succeeds." Anonymous Statement from our Class Reflections
_________________________________________________________
Listen carefully.Every collaborator who enters our orbit brings with him or her a world more strange and complex than any we could ever hope to imagine. By listening to the details and the subtlety of their needs, desires, or ambitions, we fold their world onto our own. Neither party will ever be the same.From Bruce Mau's Incomplete Manifesto
Thursday, April 23, 2009
Coop Work on Saturday
Friday, April 17, 2009
Tour de Coop in Ft. Collins
Thursday, April 16, 2009
Re-design list of tasks
• Chicken-wire the bottom
• Secure the doors
• Nesting box door entrance, creation of nesting boxes
• Lateral Support (against wind, make secure to ground)
• Staining/Sealing of wood
• Enclosed run/Fenced-in Run
Mining Shack
• Re-size to fit into BMoCA
• Change/remove gray box on top?
• Integration of run—underneath possibly?
• Secure against predators
• Making it more accessible for the owners to clean and remove boxes
False Front
• Create Nesting Boxes
• Create roosting area
• Integration of Run?
• Window installation
• Screen door behind main door
• Pitch the roof and secure it
• Add top to the front
• Make sure it is secure
• Make a new false front, the original broke in the take down process
Tuesday, April 14, 2009
Monday, April 13, 2009
Thoughts from last week
Thoughts for BMoCA space
- Do shacks all need to be connected to one major run? Can there be multiple small runs? Seems a bit overwhelming when all is tied into one space
- Should there be a specific “children’s area” spot in the sculpture area? Or is this taking the project out of the realm of sculpture and making it into something other than what we want?
- Can eggs be sold from our chickens at the farmer’s market? Perhaps with a particular stamp on them? Perhaps a display outside encourages people to walk inside.
- Architecture kit—maybe sold at Design within Reach and the Farmer’s Market
- Omelette bar???? Don’t know. Sounds messy
- Two brochures—or perhaps double sided brochure—one that tells about the artistic context, one that talks about getting hens into back yards
- Chickens there every Saturday, but only accessible by viewing. No human/chicken interaction. (Disease, harm to the chickens…)
- Live feed from interior of chicken shacks—“chicken cam” so you can check what is going on inside.
- Floor protection for BMoCA?? Straw maybe not enough.
- Video from Marcy maybe not in same space as chickens—instead out in entryway so that people can hear it and become curious.
Sunday, April 12, 2009
Wednesday, April 8, 2009
Context (Santiago Pass)
Context (Yolanda)
In the interdisciplinary spirit of Baseline Group, we have the inevitable need to create collaborations and to move towards creating community-based art. We are interested in involving community members within the building process, as well as reach out to the community through educational components provided throughout our exhibit. The mission of Chicken Shack Village to heighten awareness about raising hens in an urban setting is a vehicle in which Baseline Group can create a seamless and active connection between art and community.
Tuesday, April 7, 2009
Context (Cobb)
The CSV incorporates architecture, environmental concerns, and social practice within the world of art. The chosen aesthetics of our shacks evolved after researching Boulder’s history, investigating its vernacular architecture, and it’s relationship to Colorado’s regional identity. Through the context of art we hope to start a conversation regarding the integration of chickens in urban environments and by proposing alternatives to city dwellers.
Context (Bockelman)
In light of this, the Baseline Group researched the vernacular architecture of Colorado in preparation for creating designs for the chicken shacks. What we chose included references to the historical architecture of Colorado such as that of the mining shack and false fronted building. However, we also chose to emphasize the current architectural trend to use reclaimed materials in chicken shacks that feature a specific material like a shipping pallet or a door.
By becoming immersed in local culture and architectural aesthetic, the Baseline Group hopes to understand and strengthen its connection to the community in which it works.
Monday, April 6, 2009
Context (Schnirel)
Chicken Shack Village inter-mingles art, design, architecture, and the social/political to create functional sculptures that serve the community. The project generates dialogue surrounding the introduction of chickens in a backyard environment. Our group’s comprehensive investigation into Boulder’s vernacular and regional aesthetic influences many of our design decisions. However, we remain aware of the urban chickens’ concept functioning outside Boulder, Colorado and in other communities.
Questions surrounding the taxonomy of the work need not be ignored. We position ourselves in the genre of sculpture; however we derive strength from other fields like service art (a medium that provides for the community), new genre, and public art. Our multifaceted approaches to the artistic process and our diverse backgrounds allow for a constructive conversation for the direction of Chicken Shack Village.
An ongoing awareness to pertinent sustainable solutions also influences the Villages design. In an environment full of Greenwashing and proposed alternatives, we find ourselves utilizing practical ideas that leave less impact, promote stronger local economies, and demote carbon-based fuel demands. Although we merely implement backyard egg production, the resounding affects are an amazing environmental improvement to both the backyard aesthetic and the Boulder identity.
Tuesday, March 31, 2009
Sunday, March 1, 2009
Hay!!!
Saturday, February 28, 2009
The wide variety of public art
Friday, February 27, 2009
Materials
Thursday, February 26, 2009
Wednesday, February 25, 2009
Marshall Visit
Hey everyone, sorry about missing today, my bad. I did go out and do some field work in Marshall. Check out my trip to Marshall. I found some interesting structures and history. http://www.flickr.com/photos/baselinegroup/sets/72157614375075533/
Monday, February 23, 2009
T.C. Woods
Sunday, February 22, 2009
weekend site research
Here's the inside of Tom's Tavern on Pearl- I liked this site a lot! Very visible, and dirty enough that chickens wouldn't seem overly out of place. Much more up on Flickr (Atmosphere, BMOCA etc- it was hard to look into the BMOCA windows, though). I skipped photographing Design Within Reach, as it just didn't seem like a good fit.
12 Tips for a Successful Coop Design
24 Hour Fitness
Tired Chickens
Hey check out how a chicken can be rocked to sleep. I bet parents wish they could put their kids to bed this easily.
http://www.metacafe.com/watch/523487/how_to_put_a_chicken_to_sleep/
Saturday, February 21, 2009
Info from "Chickens in Your Backyard"
Friday, February 20, 2009
shipping palette give away today!
Thursday, February 19, 2009
Materiality...
Singing for the Beasts
Wednesday, February 18, 2009
palette shack follow up
I really enjoy the palette barn, and think using palettes is a great way to utilize existing resources. I could also see these structures incorporating straw insulation. I know of a massive field of palettes for sale next to the ReSource2000 in Fort Collins. Could be a great way to produce an aesthetically pleasing Village, in a sustainable way.
Check out what Brad Pitt is doing with Palettes
http://images.google.com/imgres?imgurl=http://venicepaper.net/images/P_S_Back.jpg&imgrefurl=http://www.venicepaper.net/pmt_more.php%3Fid%3D388_0_1_15_M&usg=__ySnVLHzzH9ZtJgvCY68rkI2Aknw=&h=346&w=400&sz=42&hl=en&start=8&tbnid=4zrTEWd9e6kt_M:&tbnh=107&tbnw=124&prev=/images%3Fq%3Dshipping%2Bpallet%2Bstructures%26hl%3Den%26rls%3Dorg.mozilla:en-US:official%26sa%3DG
The Renegade Lunch Lady
Answers to the questions
What’s on a chicken’s mind? They have a lot on their minds. They have hairdos to consider, plans to hatch, ground to scritch up (treasures), and that whole pecking order thing to worry about...
Does chicken love other animals? No. Other animals are not on their radar because other animals do not have fine feathers and nice legs.
When does a chicken want to be alone, when do they like to be with other ch.? This is a hard question. It's like asking the people in a clique whether they like to be in the clique. Chickens need other chickens to reaffirm themselves, and if you asked them, they would say they like being with other chickens all the time, but secretly each wouldn't mind being the only chicken.
Could there be a space, or architecture where a chicken is proud at? Yes. There should be an outdoor standing and posing space where nice photographs recording the dignity of the chicken could be taken, preferably with a majestic background and strong lighting.
Do chickens see colour? Yes.
When chickens don’t think can you make a story what a chicken should think in your case? I don't understand this question and how it's different from number one.
Are there upper-chickens and downunder-chickens? Could that be an inspiration for making space and chacks? Yes. There are hierarchies too complex for us to understand that have to do with chicken markings, egg color, egg size, and ability to dance. Chickens should be segregated according to class, just like Boulder.
How could the backyardplot be integrated with the chickenchackvill? The backyard could function as landscape decoration to complement the shacks, it could be part of a backyard closed cycle that mimics a larger factory cycle--meaning that the manure is a bi-product just as eggs are a bi-product, it could function as a staging area, or it could be part of a large environmental lesson about sustainability of which the chickens are a part as well.
Could any material be part of the Vill? I think chickens want something a little bit fancy, something that shows we understand their dignity. As long as the materials aren't used in such a way that demeans them, anything is fine.
Do chicken like to be downstairs or upstairs, do they want to chance? They prefer to be upstairs. Do they want to change?? Is that the question? Yes, they want options. They need places for scouting, for posing, for making plans, for eating, and for sleeping in a commune.
Palette Barn
Tuesday, February 17, 2009
Straw Bale Chicken Coops
Onix Website
defining our sense of "place"
"The presence of this tree signifies a rainfall and a temperature range and will indicate what your agriculture might be, how steep the pitch of your roof, what raincoats you'd need. You don't have to know such details to get by in the modern cities of Portland or Bellingham. But if you do know what is taught by plants and weather, you are in on the gossip and can truly feel more at home. The sum of a field's forces becomes what we call very loosely the "spirit of the place." To know the spirit of a place is to realize that you are a part of a part and that the whole is made of parts, each of which is whole. You start with the part you are whole in."
"There are tens of millions of people in North America who were physically born here but who are not actually living here intellectually, imaginatively, or morally."
Virtual Tour
Hey Guys check out the virtual construction of an A-Frame. My roommates have this program so it might come in handy.
http://www.youtube.com/watch?v=XTcugDBEvPk&feature=related
Washington State's Living With Wildlife Tips
Prevent access to fruit and compost. Keep fruit trees fenced, or pick up fruit that falls to the ground. Keep compost piles within a fenced area or securely covered. Cover new compost material with soil or lime to prevent it from smelling. Never include animal matter in your compost; it attracts coyotes. If burying food scraps, cover them with at least 12 inches of soil, and don’t leave any garbage above ground in the area—including the stinky shovel.
Fence extensions are required to keep coyotes from jumping over a 5-foot fence. Angle the top of a woven-wire fence out about 15 inches and completely around the fence. An effective fence extends below the surface, or has a wire apron in front of it to prevent digging.
Build a coyote-proof fence. Coyotes don’t leap fences in a single bound but, like domestic dogs, they grip the top with their front paws and kick themselves upward and over with the back legs. Their tendency to climb will depend on the individual animal and its motivation. A 5-foot woven-wire fence with extenders facing outward at the top of each post should prevent coyotes from climbing over (Fig. 6).
However, all coyotes are excellent diggers, and an effective fence needs to extend at least 8 inches below the surface, or have a galvanized-wire apron that extends out from the fence at least 15 inches (Fig. 6).
Electric fences can also keep coyotes out of an enclosed area (Figs. 7 and 8). Such a fence doesn’t need to be as high as a woven-wire fence because a coyote’s first instinct will be to pass through the wires instead of jumping over them. Digging under electric fences usually doesn’t occur if the bottom wire is electrified.
Figure 6
A six-wire electric fence can keep coyotes out of an enclosed area.
Figure 7
Two electrified wires, 8 and 15 inches above ground and offset from an existing wood fence by 12 inches will prevent coyotes from accessing the fence. A single strand may be sufficient, but two electrified wires will provide added insurance.
Figure 8
Various ways to install a barrier to prevent coyotes from digging under chicken coops and similar places. To add to the life of the barrier, spray on two coats of rustproof paint before installation. Always check for utility lines before digging in an area.
Enclose poultry (chickens, ducks, and turkeys) in a secure outdoor pen and house. Coyotes will eat poultry and their eggs if they can get to them. Note: Other killers of poultry include foxes, skunks, raccoons, feral cats, dogs, bobcats, opossums, weasels, hawks, and owls.
To prevent coyotes from accessing birds in their night roosts, equip poultry houses with well-fitted doors and secure locking mechanisms. To prevent them from trying to go under the fence, stake the bottom of the fence flush to the ground, or line the bottom of the fence with bricks, fence posts, or similar items. Prevent coyotes from digging under a fence or structure see figures below..
To prevent coyotes and other animals from accessing poultry during the day, completely enclose outdoor pens with 1-inch chicken wire placed over a sturdy wooden framework.
Lay large flat stones, concrete patio pavers, or 1/4-inch hardware cloth (held in place with stakes) on the surface of the soil next to a wall. The barrier forces coyotes to begin digging farther out and they will most likely give up in the
process.
Bend hardware cloth into an “L” shape and lay it in a trench so that the wire goes at least 1 foot below ground and 1 foot out from the wall.
Excavate a 3 x 3 inch trench along the side of a wall, and hammer 2-foot lengths of 1/2-inch rebar, spaced a few inches apart, into the ground. Cover the tops with concrete or dirt.
Keep livestock and small animals that live outdoors confined in secure pens during periods of vulnerability. All animals should be confined from dusk to dawn. (Temporary or portable fencing keeps livestock together so that they can be guarded more effectively.) During birthing season, keep young and vulnerable animals confined at all times. Do not use remote pastures or holding areas, especially when there has been a recent coyote attack. Remove any sick and injured animals immediately. Ensure that young animals have a healthy diet so that they are strong and less vulnerable to predators.
Livestock producers have discovered that scare devices, such as motion detectors, radios, and other noice makers, will deter coyotes—until they realize that they aren’t dangerous.
To learn more.....